A collection of new essays treating the most important aspects of the work of the most famous late Romantic, Heinrich Heine. As the most prominent German-Jewish Romantic writer, Heinrich Heine (1797-1856) became a focal point for much of the tension generated by the Jewish assimilation to German culture in a time marked by a growing emphasis on the shared ancestry of the German Volk. As both an ingenious composer of Romantic verse and the originator of modernist German prose, he defied nationalist-Romantic concepts of creative genius that grounded German greatness in an idealist tradition of Dichter und Denker. And as a brash, often reckless champion of freedom and social justice, he challenged not only the reactionary ruling powers of Restoration Germany but also the incipient nationalistideology that would have fateful consequences for the new Germany--consequences he often portended with a prophetic vision born of his own experience. Reaching to the heart of the `German question,' the controversies surrounding Heine have been as intense since his death as they were in his own lifetime, often serving as an acid test for important questions of national and social consciousness. This new volume of essays by scholars from Germany, Britain, Canada, and the United States offers new critical insights on key recurring issues in his work: the symbiosis of German and Jewish culture; emerging nationalism among the European peoples; critical views of Romanticism and modern philosophy; European culture on the threshold to modernity; irony, wit, and self-critique as requisite elements of a modern aesthetic; changing views on teleology and the dialectics of history; and final thoughts and reconsiderations from his last, prolonged years in a sickbed. Contributors: Michael Perraudin, Paul Peters, Roger F. Cook, Willi Goetschel, Gerhard Hoehn, Paul Reitter, Robert C. Holub, Jeffrey Grossman, Anthony Phelan, Joseph A. Kruse, and George F. Peters. Roger F. Cook is Professor of German at the University of Missouri, Columbia.

This book is a comprehensive study of the nineteenth-century German poet Heinrich Heine. Anthony Phelan examines the complete range of Heine's work, from the early poetry and 'Pictures of Travel' to the last poems, including personal polemic and journalism. Phelan provides original and detailed readings of Heine's major poetry and throws fresh light on his virtuoso political performances that have too often been neglected by critics. Through his critical relationship with Romanticism, Heine confronted the problem of modernity in startlingly original ways that still speak to the concerns of post-modern readers. Phelan highlights the importance of Heine for the critical understanding of modern literature, and in particular the responses to Heine's work by Adorno, Kraus and Benjamin. Heine emerges as a figure of immense European significance, whose writings need to be seen as a major contribution to the articulation of modernity.

This comprehensive study of the 19th-century German poet Heinrich Heine is the first to be published in English for many years. Anthony Phelan examines the complete range of Heine's work, from the early poetry and 'Pictures of Travel' to the last poems, including personal polemic and journalism. Phelan provides original and detailed readings of Heine's major poetry and throws new light on his virtuoso political performances that have too often been neglected by critics. Through his critical relationship with Romanticism, Heine confronted the problem of modernity in startlingly original ways that still speak to the concerns of post-modern readers. Phelan highlights the importance of Heine for the critical understanding of modern literature, and in particular the responses to Heine's work by Adorno, Kraus and Benjamin. Heine emerges as a figure of immense European significance, whose writings now need to be seen as a major contribution to the articulation of modernity.

Cutting-edge criticism on major aspects of Goethe's best-known work. Undisputedly a canonical work, Goethe's Faust is also the key to understanding its author, one of European civilization's most complex figures. Written over several decades, the work spans both Goethe's life and an age of enormous social, political, philosophical, and artistic change - even revolution. In this volume, Goethe scholars and experts from Europe and North America explore major aspects of this fascinating work, offering a cutting-edge guide to both reader and scholar. Contributors: Ritchie Robertson, Martin Swales, Alberto Destro, Osman Durrani, Ellis Dye, John R. Williams, Anthony Phelan, Franziska Schoessler, Peter D. Smith, Cyrus Hamlin, R.H. Stephenson, David Luke, Robert David McDonald Paul Bishop is William Jacks Chair of Modern Languages at the University of Glasgow.

Bertolt Brecht's extraordinary historical novel presents an aspiring scholar's efforts to write an idealized life of Julius Caesar twenty years after his death. But the historian abandons his planned biography, confronted by a baffling range of contradictory views. Was Caesar an opportunist, a permanently bankrupt businessman who became too big for the banks to allow him to fail - as his former banker claims? Did he stumble into power while trying to make money, as suggested by the diary of his former slave? Across these different versions of Caesar's career in the political and economic life of Rome, Brecht wryly contrasts the narratives of imperial progress with the reality of grasping self-interest, in a sly allegory that points to the Weimar Republic and perhaps even to our own times. Brecht reminds his readers of the need for constant vigilance and critical suspicion towards the great figures of the past. In an echo of his dramatic theories, the audience is confronted with its own task of active interpretation rather than passive acceptance -- we have to work out our own views about Mr Julius Caesar. This edition is translated by Charles Osborne and features an introduction and editorial notes by Anthony Phelan and Tom Kuhn.

As the most prominent German-Jewish Romantic writer, Heinrich Heine (1797-1856) became a focal point for much of the tension generated by the Jewish assimilation to German culture in a time marked by a growing emphasis on the shared ancestry of the German Volk. As both an ingenious composer of Romantic verse and the originator of modernist German prose, he defied nationalist-Romantic concepts of creative genius that grounded German greatness in an idealist tradition of Dichter und Denker. And as a brash, often reckless champion of freedom and social justice, he challenged not only the reactionary ruling powers of Restoration Germany but also the incipient nationalist ideology that would have fateful consequences for the new Germany--consequences he often portended with a prophetic vision born of his own experience. Reaching to the heart of the German question, ' the controversies surrounding Heine have been as intense since his death as they were in his own lifetime, often serving as an acid test for important questions of national and social consciousness. This new volume of essays by scholars from Germany, Britain, Canada, and the United States offers new critical insights on key recurring issues in his work: the symbiosis of German and Jewish culture; emerging nationalism among the European peoples; critical views of Romanticism and modern philosophy; European culture on the threshold to modernity; irony, wit, and self-critique as requisite elements of a modern aesthetic; changing views on teleology and the dialectics of history; and final thoughts and reconsiderations from his last, prolonged years in a sickbed. Contributors: Michael Perraudin, Paul Peters, Roger F. Cook, Willi Goetschel, Gerhard Hohn, Paul Reitter, Robert C. Holub, Jeffrey Grossman, Anthony Phelan, Joseph A. Kruse, and George F. Peters. Roger F. Cook is professor of German at the University of Missouri, Columbia.

Bertolt Brecht's extraordinary historical novel presents an aspiring scholar's efforts to write an idealized life of Julius Caesar twenty years after his death. But the historian abandons his planned biography, confronted by a baffling range of contradictory views. Was Caesar an opportunist, a permanently bankrupt businessman who became too big for the banks to allow him to fail - as his former banker claims? Did he stumble into power while trying to make money, as suggested by the diary of his former slave? Across these different versions of Caesar's career in the political and economic life of Rome, Brecht wryly contrasts the narratives of imperial progress with the reality of grasping self-interest, in a sly allegory that points to the Weimar Republic and perhaps even to our own times. Brecht reminds his readers of the need for constant vigilance and critical suspicion towards the great figures of the past. In an echo of his dramatic theories, the audience is confronted with its own task of active interpretation rather than passive acceptance -- we have to work out our own views about Mr Julius Caesar. This edition is translated by Charles Osborne and features an introduction and editorial notes by Anthony Phelan and Tom Kuhn.